"I have of late, but wherefore I know not, lost all my mirth..."

ALK'SGHWR 'LTH RPYKJ
E[WYJ WHY?

And also:
Ugly Betty = Green Wing.  Srsly.
Betty = Caroline
Henry = Mac
Charlie = Holly
Bridge = Park
"Have a wonderful life." = "Thank you for making it easier."
Heartbreak = Heartbreak

And:
Santos- nooooooooooooooooo!  You taught Justin how to snap!
Justin makes a wonderful Tony, he's adorable.
Marc and Wilhelmina = aw.
Amanda and Christina trapped in a rom with booze = win.
Amanda as Faye's daughter = double win.
BUT
If Amanda turned out to be Faye and Bradford's daughter, not Faye and her real dad's daughter, then Amanda and Daniel sleeping together = INCEST.

It really is Green Wing

And Daniel and Alexis are totally going to be in comas.

YES YES YES LEE WON HOW COULD HE NOT?

I was watching his final performance and i just went, "I love you.  You are amazing.  I want to have your babies."

I am so going to see that.

I was fucking terrified.

I, unlike most of fandom, don't really mind the "Doctor-lite" eps and i thought this was especially good.  I can't remember the name of the actress who played Sally but she was in Bleak House and Northanger Abbey and is one of my heroines of Regency Drama, thus I heart her.  She's posh and pretty and she's tough as fuck and I really like her.  I loved her line, "I'm clever and I'm listening and don't patronise me."

Also, I want Laurence Nightingale (*sniggers*).  Internet geeks for the win.  "'The Angels have the Phone Box'.  I've got that on a t-shirt." = Best. Line. Ever.  I'm so ordering a t-shirt that has that.

On a more clever-sounding note, how brilliant is Stephen Moffat?  All that intersecting conversation, it makes my head go funny.  It was a brilliantly crafted episode, I loved it.  And playing on a basic fears of mundane things is always the best way to go.  Statues are creepy, with their empty eyes, especially angel ones.  Smoke and mirrors will always be scarier than out and out horror.  I loved the cheesy paranoia bit at the end as well.  It was like a way of signifying to the audience that the "Don't blink" rule applied to them as well- when the camera was on the angels but the characters weren't watching, they didn't move because we were watching.  Speaking of which, that shot where Sally moved in front of the angel and when she moved away again the hands were down, and when she moved back they were back up was brilliant.  It was all one fluid shot, I can't work out how they did it.  The editing in general was brilliant, all creepy and atmospheric, and the idea of the angels turning off the lights so you couldn't see them was a great trick.

There wasn't much Doctor/Martha stuff obviously, so I can't do my usual relationship!squee but I will say one thing: Martha supporting him with shopwork = a billion new plotbunnies spawned.  Considering it seems like they've been stuck in 1969 for a while, possibly a couple of months means that oh yes, the Doctor certainly does do domestic.  Also, I love the image of them with a bow and arrow.  It's just cool.

One last thing:

"It's like a big ball of wibley-wobbly timey-wimey...stuff."

I don't even have to comment, do I?